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Phil Hall is an okapi at the Bronx Zoo.\http://www.myspace.com/philhallsuperstar
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My favorite member of the British royal family (make that my favourite member) is Prince Philip, the Duke of Edinburgh and husband to Queen Elizabeth II. He gets my vote not only because of our shared first name, but also because of his wonderful habit for saying the very worst thing at the worst possible time -- and always when microphones are about. Prince Philip's gaffes have brought grief to many royal handlers, but there is a good number of Brits who secretly love his foot-in-mouth disease. While I acknowledge Prince Philip's penchant for the politically incorrect, I have to admit that he is hilarious in a Borat sort of way. Via Wikipedia, I bring you the best of Prince Philip: - Speaking to a driving instructor in Scotland, he asked: "How do you keep the natives off the booze long enough to get them through the test?"
- After accepting a gift from a Kenyan citizen he replied, "You are a woman, aren't you?"
- "If it has four legs and is not a chair, has wings and is not an aeroplane, or swims and is not a submarine, the Cantonese will eat it." (1986)
- In 1966 he remarked that "British women can't cook."
- To a British student in Papua New Guinea: "You managed not to get eaten then?"
- On a visit to the new Welsh Assembly in Cardiff, he told a group of deaf children standing next to a Jamaican steel drum band, "Deaf? No wonder you are deaf standing so close to that racket."
- He asked an Indigenous Australian, "Still throwing spears?"
- Said to a Briton in Budapest, Hungary, "You can't have been here that long – you haven't got a pot belly."
- To the President of Nigeria, who was dressed in traditional African robes, "You look like you're ready for bed!"
- To Lord Taylor of Warwick, who is black: "And what exotic part of the world do you come from?" Lord Taylor: "I'm from Birmingham."
- Seeing a shoddily installed fuse box in a high-tech Edinburgh factory, HRH remarked that it looked "like it was put in by an Indian".
- During a Royal visit to China in 1986 he described Beijing as "ghastly".
- "Aren't most of you descended from pirates?" (in 1994, to an islander in the Cayman Islands).
- At Salford University, he told a 13 year old aspiring astronaut: "Well, you'll never fly in it, you're too fat."
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There are few things more liberating than walking away from a job that you hate. Obviously, being in any dysfunctional environment is ruinous to one’s health and mind – poisonous relationships, miserable friendships, unpleasant homes, it doesn’t matter what is causing the problem. If you cannot fix a problem, walk away from it. Better yet, run! Today is my last day at the horrible job I’ve referred to in previous postings here. Even though I will never come back to this place, knowing that I had to return for one last day ticked off the various aches and pains that have come with this place. And those aches and pains are all stress-induced. I am normally in excellent health, except when I am at the job or thinking about the job. Mercifully, a better company made me an offer and I will be joining them on September 11. Now that’s a weird date to look forward to, no? That company is everything this health-wrecking job is not: friendly, professional, intelligent and sincere. I am genuinely fortunate to have secured that opportunity and I wonder if there was any divine intervention involved (I know my mother has been having some rather intense conversations with St. Joseph lately, so perhaps he thumbed through his rolodex to find a spot for me?). Okay, this isn’t a particularly funny posting. But if anyone should read this, I hope you get this message: there is absolutely nothing funny in being in a job that makes you physically and emotionally ill. Yeah, stupid boss stories are funny for a while, but the daily grind of being mistreated and humiliated is anything but humorous. Now you have to excuse me, because I need to gather my belongings together and skedaddle – Harriet Tubman is waiting for me and I need to get to freedom ASAP!
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In many offices, there are birthday parties. In many large offices, there are multiple birthday parties. Needless to say, the excess of birthday parties comes with an excess of birthday cakes. And if one actively participates in a year’s worth of office-related birthday parties (with their rich and gooey cakes), one can begin to resemble a late-life Marlon Brando. Now I like birthday cake just like the next slob. And I also like ice cream. But I don’t like ice cream cakes. They are not easy to enjoy, especially if you are standing around a conference room table trying to slice the ice cream cake with one hand while balancing a wobbly paper plate in the other. One office birthday party some time back, I was given a solid slice of chocolate ice cream cake and a plastic fork. The fork did not survive its encounter with the ice cream cake. I obtained a second fork, waited a couple of minutes for the ice cream cake to defrost somewhat, and I did a second attack. At this point I was back at my desk, where I could do battle from the comfort of a chair – this was not a conflict that could easily be accomplished while standing. The fork penetrated the slice of ice cream cake and made some progress. I emphasize the word “some,” as the fork became lodged about a quarter-inch into its target and could neither go forward nor retreat. And, not surprisingly, this occurred when a telephone call came in. Thus, I am sitting at my desk with a telephone balanced in one hand while I am enduring an Arthurian struggle in the other hand – but rather than extract a sword from a stone, I was extracting a plastic fork from an ice cream cake. Or at least that was the idea – for the most part, I was waving the fork-impaled ice cream cake like a gavel, dripping bits of too-slowly-melting chocolate ice cream across the blanket of paperwork atop my desk. Clearly the person on the far end of my phone call is realizing there is a problem at my end. “What’s going on there?” he asks. “I am trying to eat Three Stooges cake,” I reply. “It sounds like you should be hitting Curly-Joe on the head with it,” he answers. Since Curly-Joe was not available for cranium crashing, I found myself continuing the unhappy task of having my cake and eating it, too. The fork was eventually, after several minutes of polite struggle, liberated with a bite-sized chunk. Upon contact with my teeth, however, I felt as if I was French kissing Mr. Freeze. Both the ice cream cake and the valiant little fork found its way into the nearest trashcan. Whether the ice cream cake ever melted is something I cannot answer – though I suspect even with global warming it is still sitting in a solid block in some distant rubbish dump, confounding the seagulls and rats that try to peck away at it.
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While this is not comedy, per se, it should be noted that some sick humor can be found in the furor in the Islamic world regarding Pope Benny’s decision to publicly repeat comments made by a Byzantine emperor’s notion of the violence inherent to Islam and the teachings of the Prophet Muhammad. From this joker’s perspective, I would offer the following observations: 1. When freedom of religion and the right for open assemblies of non-Muslim religious gatherings can be commonplace in the Islamic world, then criticism of Pope Benny is justified. 2. When Muslim terrorists stop bombing churches in Iraq and stop harassing Iraqi Christians seeking the free exercise of their faith (particularly women), then criticism of Pope Benny is justified. 3. When the governments of predominantly Islamic nations cease their policies of persecution of non-Muslim faiths (most notably Iran’s campaigns against its Baha’i population and the state-sanctioned violence against Coptic Christians in Egypt), then criticism of Pope Benny is justified. 4. When people in predominantly Muslim countries have the right to change their religions without the risk of being arrested, tried and executed for crimes against the nation, then criticism of Pope Benny is justified. 5. When the governments of predominantly Muslim country outlaw school texts that slander Judaism and Christianity, then criticism of Pope Benny is justified. 6. When Muslims stop killing each other under the pretext of Koranic principles (Iraq, Afghanistan, Sudan), then criticism of Pope Benny is justified. Until such time, all I can say is “More power to Pope Benny!”
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The year is 1976 and I am 11 years old. The place is my old neighborhood in The Bronx (pronounced “Da Bronx”) and it is during a lunchtime break from the torture known as sixth grade. My pal James and I managed to sneak in through a service door to a local high-rise apartment complex with the hope of meeting its most famous tenant, baseball great Willie Mays. This was not an original idea, as every boy in our school tried to do the same. No one ever got to see Willie in person, but James and I seemed to get closer than most (we made it to the door of his penthouse apartment, but we were informed by a woman on the other side of that door that our intended target was not home). As luck would have it, a fellow classmate named Philip lived in that same apartment complex. So James and I rode the elevator down to his floor with the hope of catching him at home (and perhaps snagging some goodies from his pantry – it was lunchtime, after all). Admittedly, it was not the most desirable consolation prize (unlike the elusive Willie Mays, we saw Philip every day), but at least it would keep us busy and perhaps well-fed. Alas, Philip was not home. Dejected, James and I headed to the elevators. But for whatever reason, we opted to take the staircase. And that’s where the trouble began. I don’t know why (and I still can’t figure it out), but James issued me a challenge at the top of the staircase landing on Philip’s floor: he boasted that he could outdistance me in a urinating contest on the staircase. Clearly, the idea of using a staircase as a toilet never occurred to me – but at the time, it seemed like a brilliant notion. Hell, anyone can take a pee into a porcelain bowl. Furthermore, my sense of adventure was piqued. Could I pee my way down a staircase? To the 11-year-old me, those 10 steps from top to bottom landing seemed like an Olympic ski jump. But I thought I could outdistance James. So James and I stood at the edge of the staircase landing, unzipped our flies, took out our 11-year-old manhoods, and did the one-two-three-go routine. Initially James got off to a strong start, hitting the fourth step, while I was stuck at the second step. But then I began to catch up by making an arc my urine flow. We tied at the seventh step and went down the stairs in unison until we both hit the bottom landing. Needless to say, the tie was a disappointment since we both wanted to secure bragging rights. After zipping up, we remembered the elevators (the staircase didn’t seem like the best place to travel, considering what transpired) and we went downstairs and then went back out the service entrance that gave us access. We made it to school in the nick of time. The next day, our friend Philip confronted us in a decidedly non-friendly manner. It seems the janitor for his apartment complex was making the rounds and came upon that staircase. Oddly, the janitor blamed Philip for the mess and informed his parents. Now why the janitor would blame Philip (since he lived on the floor in an apartment with a working toilet) made no sense, but Philip nonetheless added two and two and came up with the only two goofs he knew who could turn a staircase into a urinating championship forum. Naturally, we denied everything. Still, I look back in awe at this accomplishment. I’ve never won any sporting trophies, so the knowledge that I could pee like a champ means a great deal to me (even more than meeting Willie Mays).
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Bad writing is like bad cooking – you know it immediately upon impact and it is never tasty – unless you hold it up to ridicule, of course. Here is an unedited text that is supposed to go into the publication where I am currently laboring. I won’t ID the writer here, but let’s just say this is actually one of her better efforts! <<< Use and Abuse of Web Videos - Signed, Anonymous Former presidential candidate Al Gore’s documentary “An Inconvenient Truth” made waves this summer as both a blockbuster hit and a requiem on the state of global warming, but last week a controversy surrounding the movie surfaced, putting a public affairs/PR firm in the hot seat: A video spoof of Gore’s film shown on YouTube.com that was allegedly created by a 29-year-old Beverly Hills resident has been traced back to a computer registered with Washington D.C.-based DCI Group. While the firm has declined to comment on why press communications with the supposed video maker appear to originate in their office, the news raised eyebrows all around, especially considering that DCI counts once-environmental-offender Exxon Mobile Corp. among its clients. Al Gore and DCI Group do have one thing in common, though. Both have used the Internet as a tool to position themselves in the global warming debate. Gore and his film distributor Paramount Classics used a Web video on YouTube.com to generate word-of-mouth buzz before the release of the film, while DCI Group has used its opinion Web site Tech Central Station to raise doubts about the legitimacy of global warming. The conclusion: Web videos are playing an increasing role in PR, adding yet another dimension to new-media channels. >>> Okay, now let's play the copy editor from hell and dissect this inert body: “Former presidential candidate Al Gore’s documentary “An Inconvenient Truth” made waves this summer as both a blockbuster hit and a requiem on the state of global warming, but last week a controversy surrounding the movie surfaced, putting a public affairs/PR firm in the hot seat” Two clichés in one sentence (made waves and the hot seat), plus aa bizarre definition of his film (how can you have a requiem for something that is still alive?). “A video spoof of Gore’s film shown on YouTube.com that was allegedly created by a 29-year-old Beverly Hills resident has been traced back to a computer registered with Washington D.C.-based DCI Group. While the firm has declined to comment on why press communications with the supposed video maker appear to originate in their office, the news raised eyebrows all around, especially considering that DCI counts once-environmental-offender Exxon Mobile Corp. among its clients.” More clichés (the reference to “raised eyebrows all around” makes it seem like a population of Groucho Marx imitators have taken over). And is there any importance that the spoofer was a 29-year-old Beverly Hills resident? And how about “once-environmental-offender Exxon Mobile Corp.” (Exxon is in the cell phone business now?). “Al Gore and DCI Group do have one thing in common, though. Both have used the Internet as a tool to position themselves in the global warming debate. Gore and his film distributor Paramount Classics used a Web video on YouTube.com to generate word-of-mouth buzz before the release of the film, while DCI Group has used its opinion Web site Tech Central Station to raise doubts about the legitimacy of global warming. The conclusion: Web videos are playing an increasing role in PR, adding yet another dimension to new-media channels.” The conclusion: if the writer of this story was the navigator on the Santa Maria, Columbus would've discovered Spain.
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We’re back in 1976 and I am in sixth grade. And much to my initial delight, Miss Rotenberg (the emetic virago assigned to teach the little ones French) is absent (perhaps she fell off her broomstick?). Instead, we have a substitute teacher – a large, lumpy fellow who bears an uncanny resemblance to Mr. Potato Head. I cannot recall his real name, but it didn’t matter since he had his own special ID for my class. “I’m the Answer Man!” he declared with the enthusiasm one associates with the discovery of gold or a life-saving pill. “Ask me any question you have and I will answer it!” My class, which was never challenged by Miss Rotenberg’s prattling, suddenly became animated with the glory of being asked to participate in something that was genuinely fun and perhaps a bit daring – it was unusual for an adult to lay down an intellectual challenge to a sixth grade class. To his credit, the Answer Man kept his word – he did answer the questions. But answering a question and answering a question correctly are not the same thing and it appeared that the Answer Man’s enthusiasm was not equal to his knowledge. Relatively simple questions relating to sports, TV shows and comic book characters (all of prime importance to the sixth graders) eluded the Answer Man and he offered responses that ranged from feeble to surreal. However, I believed the Answer Man could offer insight on a subject that fascinated me during this time. Little me and my gaggle of sixth grade pals began to notice something that we never took seriously before: girls. Of primary interest to us was a subsection of the subject: breasts. Granted, none of the girls in our class were in league with Dolly Parton, but the whole concept of boobies provided the sixth grade boys with endless fascination – it dominated our conversations, our doodling and our private thoughts. So when the Answer Man pointed to my upraised hand, I had a question for him: “How much does the average woman’s breast weigh?” The Answer Man, who was a jolly old St. Nick up to that question, suddenly transformed himself into an utterly shocked moral puritan who was aghast that such blasphemy could be aired. “That’s it! That’s it!” he yelled. “No more talking for the rest of the period! Everyone sit quietly and don’t say a word – and anyone who says something will be thrown out of the class!” My classmates turned at me with scorn, their faces offering mute disgust at how my question could disrupt their funtime. But I wasn’t apologetic – hey, I had a serious question (or at least I thought it was serious). We never saw the Answer Man again. And, oddly enough, I never bothered to find out the answer to my question. Oh well, tits ahoy!
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One of my primary media affiliations is with Film Threat (www.filmthreat.com). I have a weekly column there called The Bootleg Files, which celebrates classic and kooky movies that can only be found on bootlegged videos and DVDs. I was particulary with last week's column, which focused on a truly inane 1966 animated film. Reprinted courtesy of Film Threat, here is my column: When it comes to animation, one can have a lively debate regarding which person deserves the title of the greatest animator of all time. However, there won’t be much of a debate regarding the worse animator of all time: Gene Deitch. Gene who? Well, you may not recognize the name but you will know his work: he was responsible for those sloppy, creepy, utterly unfunny Tom and Jerry and Popeye cartoons in the early 1960s. Deitch actually managed to work with two highly respected animation studios, UPA and Terrytoons, before leaving Hollywood in 1960 to move to Prague. That career switch was rather weird, given that Prague was far behind the Iron Curtain and many Czechoslovakians would’ve rather immigrated to America. But Deitch’s reverse journey came at the request of another Yank expatriate in Prague, film distributor William L. Snyder, who ran Rembrandt Films from the Czechoslovakian capital with the purpose of exporting cheaply-made local movies to unsuspecting American theaters. With Deitch in Prague, Snyder was able to ensure the Americanization of his products. One of the earlier Snyder-Deitch productions, the fey animated short “Munro,” won an Oscar. But that was their sole artistic triumph. Their Tom and Jerry output and their Popeye cartoons won nothing but contempt – both series were abruptly cancelled due to poor audience reaction. Not willing to be sunk by bad reviews, Snyder and Deitch decided to upgrade from short subjects to feature films, and that leads us to “Alice of Wonderland in Paris.” If you are expecting anything similar to the Walt Disney odyssey through Wonderland, forget it – the two films have nothing in common except the word “Wonderland” in their respective titles. And as for Lewis Carroll, forget it – he’s never mentioned. In fact, it’s hard to determine just who the Alice of the movie is supposed to be. She’s clearly not the naïve British lass of Victorian times. In this offering, she’s a bourgeois American who wears a bouffant hairdo and a mini-skirt. She’s supposed to be a little girl, but she sounds like a middle aged housewife (Norma MacMillan did the voice for the character). In this go-round, Alice is already famous (the book “Alice in Wonderland” is spotted on a table). But Alice is bored – she wants to go to Paris. Her obsession with Paris is so strong that she begins to wear a miniature replica of the Eiffel Tower on her head. “Getting to Wonderland was easy,” she rues. “All I had to do was fall down the rabbit hole. But let’s face it – it takes money to get to Paris!” With uncommonly good timing, a talking French mouse riding a bicycle appears. He’s Francois and he’s on a mission to survey people about the best French cheeses. How he wound up in Alice’s bedroom is a mystery (he was riding through the Parisian sewers, took a wrong turn at Notre Dame, and emerged through a mousehole in another country). Alice is a ninny when it comes to the subject – she only likes cheeseburgers and cottage cheese with jelly – but she humors Francois with the hope that he can take her to Paris. Francois shrinks Alice to mouse-size by having her eat a slice of cheese made with the magic mushroom that shrunk her in Wonderland. (Personally, I prefer the magic mushrooms that Willie Nelson has on his tour bus, but I’m not in this movie.) The newly tiny Alice gets on Francois’ bicycle and they pedal off to Paris. Alice agrees with a comment her father once made: “It’s always best to travel on business.” Huh? From here, the film conveniently forgets its inane set-up and swings into an anthology of short stories. Francois and Alice take turns prefixing each tale with a “let me tell you about...” opening, and from there the film switches gears into different stories. There are two adventures from the once-popular Madeline series of kiddie books: one has Madeline tolerating Pepito, the boorish son of the Spanish ambassador (he nearly gets killed when his attempt to feed a cat to a pack of dogs goes awry) and the other has Madeline and Pepito running away to join a gypsy circus (when their guardians come searching for them, the gypsies sew the children into a vaudeville lion costume and lock them in a cage – and they like it!). Other stories involve “Anatole,” a Parisian mouse who becomes the vice president of a cheese company; “The Frowning Prince,” a bizarre comedy about a young royal who is incapable of smiling; and “Many Moons,” a charming James Thurber fantasy about a lunar-obsessed princess which is turned to muck here thanks to some of the tackiest animation ever put on film. In between stories, Francois tries to gauge Alice’s opinions on cheese. He takes her to a cheese factory and stuffs her with cheese, causing her to turn green. Alice, for her part, wants to meet the storybook character Madeline. One might think an American girl in Paris, circa 1966, would rather meet Alain Delon – but never mind. The magic mushroom spell that shrank Alice abruptly wears off and she shoots back to normal height. But in doing so, she suddenly acquires aerodynamic skills and takes off into flight. Alice soars high into the clouds, waving goodbye to Paris and to all of the storybook characters that turned up in the course of the film. Alice then wakes up and finds herself home – it was all a dream! Oh bloody shit! The animation in “Alice of Wonderland in Paris” is so horrible that one could imagine the entire film was put together on a lunchbreak. There’s no particular fun in denigrating the work: the ineptitude of Deitch’s artistic vision makes the film a clumsy, unappealing heap. But one could excuse crappy animation if the story was acceptable, yet that’s not the case here. The rickety structure of this production suggests the Attention Deficit Disorder School of Storytelling. And forget about the voice performances: old reliables like Carl Reiner, Howard Morris and Allen Swift were hired but they couldn’t work any magic. “Alice of Wonderland in Paris” runs a scant 52 minutes, which is very short for a theatrical release; it may have been originally designed for TV. When the film turned up in theaters in early 1966 (via a small distributor called Childhood Productions), its ru
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